Kiarostami presents two cases for talking heads to evaluate in terms of morality, rights and responsibilities. Case One: Your son is in class, sitting in the back row. His teacher is writing on the board. A restless student in the back row makes a lot of noise. Not knowing who the culprit is, the teacher makes all the children sitting in the last two rows stay outside of the class until the weekend, unless they tell him who made the noise. After a few days spent outside of the classroom, your son relents and tattles on the boy who made the noise, so he can go back in and continue learning. Was he in the right? Case Two: The other students from the back row wait out the rest of the week outside of the class, before returning. Were they in the right?

Kiarostami presents two cases for talking heads to evaluate in terms of morality, rights and responsibilities. Case One: Your son is in class, sitting in the back row. His teacher is writing on the board. A restless student in the back row makes a lot of noise. Not knowing who the culprit is, the teacher makes all the children sitting in the last two rows stay outside of the class until the weekend, unless they tell him who made the noise. After a few days spent outside of the classroom, your son relents and tattles on the boy who made the noise, so he can go back in and continue learning. Was he in the right? Case Two: The other students from the back row wait out the rest of the week outside of the class, before returning. Were they in the right?

過去討論台灣日治時期（1895-1945）電影，總以商業電影和政宣新聞為主，卻忽略了當小規格膠卷與攝放機透過日本傳入，在台日人及台灣人都得以隨手記錄島嶼上的生活、事件與風景，也是重要的動態紀錄；這些未經雕琢的影像，在數十年後，成為我們想像並解析殖民時期的檔案，與出自官方的紀實影像對比，在在暗藏著「殖民現代化」的表徵，而更多業餘電影的足跡與社群，存在於當年的文宣、報章、雜誌。本場次選映多部早期影像，透過學者解密文獻，另闢重新認識日治影史的蹊徑。

极寒末世前三天，我重生归来。上辈子，我收留抚养我长大的大伯一家避难，他们却为抢食物杀了我的狗，将我赶出别墅冻毙。如今知晓他们也已重生，我不再心软，一边疯狂囤物资、加固别墅，一边筹划复仇，誓要让这帮白眼狼付出代价。不料，刚准备回租房，竟听到里面传来大伯一家的熟悉声音。

极寒末世前三天，我重生归来。上辈子，我收留抚养我长大的大伯一家避难，他们却为抢食物杀了我的狗，将我赶出别墅冻毙。如今知晓他们也已重生，我不再心软，一边疯狂囤物资、加固别墅，一边筹划复仇，誓要让这帮白眼狼付出代价。不料，刚准备回租房，竟听到里面传来大伯一家的熟悉声音。

2024年夏天，西岸。拉希德是一位电子游戏开发者，他试图在以色列军队的突袭和加沙的战争中抚养他的两个儿子。在夜晚，他创造的游戏里，父母们再也无法保护他们的孩子。

2024年夏天，西岸。拉希德是一位电子游戏开发者，他试图在以色列军队的突袭和加沙的战争中抚养他的两个儿子。在夜晚，他创造的游戏里，父母们再也无法保护他们的孩子。

A marketing consultant, who has a psychological sensitivity to corporate symbols, is hired to seek the creators of film clips anonymously posted to the internet - before uncovering a larger conspiracy.

东京连续发生数起凶杀案，尸体胸口都有两道呈X形的划痕，而凶手之间却无任何关系，这令高部刑事大为困惑。有位小学教师救了一名在海岸徘徊的半失忆青年间宫，却在听了他的几句话后，着了魔般地在妻子胸口刻上X将她杀死。随后与该青年接触的警察和女医生也这样杀了人。高部着手对间宫进行质讯，却总被他打乱，令调查毫无进展，再加上妻子文江因精神疾病住院，高部的情绪变得极为糟糕。高部的朋友心理学学者佐久间劝他不要再和间宫接触，自己却被医大毕业研究过催眠术的间宫渐渐操控。不久后，间宫从精神病院逃走，而佐久间被发现自杀身亡。高部来到以前间宫提过的一间森林废弃小屋中，遇到了间宫并将他杀死。然而一切并没有因此而结束，文江死在医院，胸口刻着X……